Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Henry F. Farny
Indian Returning from the Hunt

ID: 45954

Henry F. Farny Indian Returning from the Hunt
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Henry F. Farny Indian Returning from the Hunt


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Henry F. Farny

French-born American Painter and Printmaker, 1847-1916  Related Paintings of Henry F. Farny :. | Self-Portrait (mk08) | The Wilton Diptych,Richard ii presented to the Virgin and Child by his patron Saint John the Baptist and Saints Edward and Edmund | Impression | The portrait of Picasso | Exposition of Moses |
Related Artists:
Theodhule-Augustin Ribot
painted Stilleben in 1865
Louis Dewis
(1872-1946) was a Belgian Post-Impressionist painter, who lived most of his adult life in France. Dewis was born Isidore Louis Dewachter in Mons, Belgium, the son of Isidore Louis Dewachter and Eloise Desmaret Dewachter. He spent his formative years in Liege where his closest boyhood friend was Richard Heintz (fr:Richard Heintz) (1871-1929), who also became an internationally known landscape artist. Although the name "Dewachter" may have Flemish roots, Dewachter always considered himself a Walloon.
Niko Pirosmani
Pirosmani was born in the Georgian village of Mirzaani to a peasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He move with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman. Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics.






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