Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Henry F. Farny
Indian Returning from the Hunt

ID: 45954

Henry F. Farny Indian Returning from the Hunt
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Henry F. Farny Indian Returning from the Hunt


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Henry F. Farny

French-born American Painter and Printmaker, 1847-1916  Related Paintings of Henry F. Farny :. | Diogenes with the Lantern | The Woman | Mary Salome and Zebedee with their Sons James the Greater and John the Evangelist | Arrival of a Sorcere at a Peasant Wedding | Kailua-Kona with Hualalai, Hulihee Palace and Church |
Related Artists:
Marcel Couchaux
painted Pecheurs dans le port de Honfleur in 1920
James Lynwood Palmer
British artist , 1868 - 1941
Domenico Fetti
Italian painter , Rome 1589 - Venice 1623 was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s?C30s, three "foreigners"??Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys??breathed the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality. In Venice where he remained despite pleas from the Duke to return to Mantua, Fetti changed his style: his formalised painting style became more painterly and colourful.






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